Louise Brealey: 9 Ways to Contact Them (Phone Number, Email, House address, Social media profiles)
Louise Brealey: Ways to Contact or Text Louise Brealey (Phone Number, Email, Fanmail address, Social profiles) in 2023- Are you looking for Louise Brealey 2023 Contact details like her Phone number, Email Id, WhatsApp number, or Social media account information that you have reached on the perfect page.
We are attempting to answer many of the most frequently asked questions by Louise Brealey fans, and a large percentage of them are related to contact information. There is a lot of information about Louise Brealey’s Fan Mail Address, Autograph Request Address, Phone Number, Email Address, and more details that you can learn about in the following sections of this article.
Louise Brealey Biography and Career:
Louise Brealey is a well-known English actress, author, and journalist. She was born on March 27, 1979, and is known by her stage name, Loo Brealey. She is well known for her roles as Molly Hooper in Sherlock, Cass in Back, Jude McDermid, Scottish professor in Clique, Gillian Chamberlain in A Discovery of Witches, and Donna Harman in Death in Paradise. Since she was a teenager, Brealey has written about film, art, and music for publications such as Premiere UK, Empire, SKY, The Face, Neon, and Total Film. She has contributed reviews and articles to these publications. Anarchy and Alchemy: The Films of Alejandro Jodorowsky was published by Creation Books in 2007, and she served as the editor of the book. Before April 2009, Brealey worked as the magazine’s deputy editor at Wonderland magazine.
She works as a freelance Associate Producer and has created pitch documents for documentaries for BBC Arts. The first production of her play Pope Joan was staged by the National Youth Theatre in the year 2013. In 2018, her one-act play titled “Go Back To Where You Came From” was presented by Paines Plough Theatre as a part of their “Come To Where I’m From” initiative. Before taking on the role of Judy Smallweed in Bleak House, Brealey made her début on television, portraying the role of Nurse Roxanne Bird in two seasons of the BBC drama Casualty. Terry Wogan took Judy and her snaggle-toothed grandpa Smallweed to heart, and as a result, he delighted Radio 2 listeners with frequent versions of Davis’ catchphrase “Shake me up, Judy!”
After completing work on Bleak House, Brealey starred in the comedic drama Mayo, in which he played the role of Anorak, Alistair MacGowan’s black-bobbed sidekick. Mayo has been compared to “Agatha Christie Does Moonlighting” by The Hollywood Reporter. Her first performance on stage was in 2001 at London’s Royal Court, when she played Sophie, age 14, in a production of Judy Upton’s Sliding With Suzanne directed by Max Stafford-Clark. Her performance has been described as “a perfect, poignant study of adolescence” by the Daily Telegraph.
Her performance as the child prodigy Thomasina in the Bristol Old Vic production of Tom Stoppard’s Arcadia in 2005 earned her the accolade “the evening belongs to Loo Brealey’s Thomasina” from The Daily Telegraph. Brealey is the narrator of many books, including How to Build a Girl by Caitlin Moran and its sequel How to Be Famous, The Silent Patient by Alex Michaelides, Kate Mosse’s Number One Bestseller Labyrinth, and The Five: The Untold Lives of the Women Killed by Jack the Ripper by Hallie Rubenhold. She voiced the role of Megan in the audiobook version of Paula Hawkins’s novel The Girl on the Train, which earned her the Audie Award for Best Audiobook of the Year in 2016. It occasionally overdoes things, but the rush of emotion carries everything along in its path, helped by the deployment of radio-friendly standards by Neil Diamond and the like that turn the film into an impromptu musical and allow writer-director Janis Pugh to stage elaborate dance sequences and big emotional scenes.
This is a rousing empowerment anthem of a movie that is not afraid to paint its romance plotline in big, bold brushstrokes. The dam finally cracks with the arrival of the gorgeous returnee Joanne, who, it turns out, had attracted Helen way back when they were in school together, twenty years earlier – even though, as far as we are allowed to understand, they rarely talked to one other. But it isn’t long until Joanne shows up at the factory in her sports vehicle armed with a ghetto blaster and whisks Helen away for a little romance. During this time, a detachable shop mannequin doll’s head and a pair of stilts play a vital role in the interaction between them. Joanne is not exactly the problem-free zone that she originally seems to be; rather, she has her own history of humiliation and upheaval that she must learn to deal with.
Standard-issue British misery realism is mixed with elements of whimsy in Pugh’s film. For instance, the opening scene features a floating dandelion seed head that is reminiscent of the drifting tumbleweed in the Coen brothers’ The Big Lebowski, and one of the musical numbers devolves into a massive chicken-carcass fight inside the factory. Pugh, on the other hand, crafts a very horrific sequence in which Gary, who up until this point has been a kind of a pantomime villain, completely loses it during a funeral, with briefly terrible effects. Both leads are solid, but Brealey in particular, handles the switch of registers with aplomb, whether it is heart-to-heart conversations with Gwen, heated arguments with Gary, or supercharged, over-the-top singalongs. Both leads are excellent. In the end, there is little question that Pugh’s movie intends to warm viewers’ hearts, and it does an excellent job of doing just that.
The central character is a chicken-processing factory employee named Helen, portrayed by Louise Brealey. Helen lives in the same run-down terrace as her oafish husband Gary, from whom she is separated but seemingly not divorced, and she shares the place with his new, much younger girlfriend Amy, as well as their newly arrived baby. Gary has a new girlfriend named Amy, who is much younger than he is. Helen is a caregiver for Gary’s terminally ill mother, Gwen, played by Sorcha Cusack, who is also present on the grounds. Gary’s mother is the quasi-maternal figure that Helen seems to crave for. At least at the beginning of the play, there is also a boisterous Greek chorus consisting of Helen’s fellow factory employees. These workers may have been intended to provide as a contrast to Helen’s reserved demeanor and clenched state of discontent.
Brealey collaborated with Sir Peter Hall on two separate occasions. First, in 2007, she worked with Simon Gray on the production of Little Nell, in which she performed the title character and was paired with Michael Pennington and Tim Pigott-Smith. Little Nell is a biographical film that follows Ellen Ternan’s life from the age of 17 until she is 44 years old. It is based on the award-winning biography of Ellen Ternan written by Claire Tomalin and titled The Invisible Woman. Brealey’s work has been hailed as “impressive”, “highly compelling”, and “astounding”, according to various reviews.
The following year, Hall put her in his highly praised production of Uncle Vanya at the Rose Theatre in London, where it had the play’s world premiere. Her role was Sonya. Hers was described as “a name to watch” by The Telegraph, while The Independent drew comparisons between her and Joan Fontaine in Rebecca. The newspaper The Spectator said that Brealey “uncovers the pitiful poetry that lies beneath the indolent superficialities.” Her most significant drawback is that she is too gorgeous for ‘plain’ Sonya to be interested in her. Still, she conceals this by acting as though she lacks sexual attractiveness via uncomfortable laughs, squirrelly movements, and a stupefied beaming innocence. All in all, an outstanding performance…”
In 2011, Brealey played the role of Brealey Barratt, the sex-mad, short-frocked daughter of Julian Barratt and Doon Mackichan, in Richard Jones’s production of Government Inspector at the Young Vic. Next, she appeared in Caroline Bird’s production of The Trojan Women, which ran at London’s Gate Theatre and was completely sold out. Her roles included Cassandra, Andromache, and Helen of Troy. The Times has described her performances as ” electrifying, ” and The Guardian has remarked that she “pulled off a remarkable treble” by them. Brealey gave an interview to the Evening Standard in which she discussed the roles, and she also penned an article for The Times on her experience of performing nude, which went viral.
At the Citizens Theatre in Glasgow in February of 2014, she gave a performance of August Strindberg’s Miss Julie in the role of Julie. Molly Hooper, a pathologist, is portrayed by Brealey in all four seasons of the BBC television program Sherlock, created by Steven Moffat and Mark Gatiss. Brealey is often requested to do roles requiring her to use different accents. Some examples of these roles include a stalwart Yorkshire doctor in Ripper Street, a Cockney rogue in Law & Order: UK, a devastated Geordie widow in Inspector George Gently, and a ball-breaking Edinburgh scholar in Clique. In the ITV drama “The Widow,” which debuted in March 2019, Brealey starred as one of the key characters.
Autograph Request Address of Louise Brealey
Requesting a signature from Louise Brealey is becoming one of the most popular choices for fans who are hectic and locked in their daily normal routines. If you want Louise Brealey’s signature, you may write her an autograph request letter and mail it to her office address.
Autograph Request Address:
If you anticipate a speedy answer, include a self-addressed, sealed envelope. Include a photo of Louise Brealey in your autograph request letter if you want a signature on her photo. A response from a celebrity’s office usually takes a couple of weeks, so be patient.
Louise Brealey Profile-
- Full Name– Louise Brealey
- Birth Sign- Aries
- Date of Birth– 27 March 1979
- State and Country of Birth– Bozeat, United Kingdom
- Age – 44 years
- Parents– Father: NA, Mother: NA
- Cousins– NA
- Height– 1.6 m
- Occupation– Actress
Louise Brealey Phone Number, Email, Contact Information, House Address, and Social Profiles:
Ways to Contact Louise Brealey:
1. Facebook Page: https://www.facebook.com/louise.brealey/
Louise Brealey has a Facebook account where he publishes her pictures and videos. The above-mentioned URL will take you to her profile. It has been verified, and we can certify that it is a 100% accurate profile of Louise Brealey. You may contact her on Fb, which you can find by clicking the link here.
2. YouTube Channel: NA
Louise Brealey has her own channel on youtube, where She uploaded her videos for her followers to watch. She has also earned a million subscribers and thousands of views. Anyone interested in seeing her uploads and videos may utilize the account URL provided above.
3. Instagram Profile: https://z-p42.www.instagram.com/mslouisebrealey/
Louise Brealey even has an Instagram account, in which she has over a thousand followers and gets over 100k likes per posting. If you would like to view her most recent Instagram pics, click on the link above.
4. Twitter: https://twitter.com/louisebrealey
As of yet, Louise Brealey has gained a large number of followers on her Twitter account. Click on the link above if you’re willing to tweet it. The link above is the only way to get in touch with her on Twitter.
5. Phone number: NA
Louise Brealey’s many phone numbers have been released on Google and the internet, but none of them truly function. However, we’ll let you know as soon as we’ve located an exact number.
6. Fan Mail Address: